12A Railway Colony film evaluate: Allari Nareshs movie has a good premise, marred by erratic execution

Kamakshi Bhaskarla and Allari Naresh within the movie | Photo Credit: Special Arrangement

12A Railway Colony, the Telugu movie directed by Nani Kasaragadda, adjustments its hues at each flip. It works as a pleasing shock, to start with. The protagonist Karthik (Allari Naresh) experiences visions about saving a lady in a snowslide. He is led to a video about spirits and the way they contact folks. Then, the main target shifts to his boss, Tillu (Jeevan Reddy), a politician who’s determined for an electoral win.

As it hints at a high-stakes political drama, a few males are killed. Before the offender is discovered, a love monitor has Karthik falling for his neighbour, Aradhana (Kamakshi Bhaskarla), an aspiring badminton participant. A mysterious man is on a pursuit to reconnect together with his spouse and daughter. Barring the banality within the execution, there may be curiosity concerning the widespread hyperlink that binds the threads.

12A Railway Colony (Telugu)

Director: Nani Kasaragadda

Cast: Allari Naresh, Kamakshi Bhaskarla, Sai Kumar, Viva Harsha, Anish Kuruvilla

Runtime: 125 minutes

Storyline: A person working beneath a politician cracks the thriller behind twin murders

Cut to the second hour, the movie unfolds like an investigation thriller, unpacking varied layers of the story, the place the cop Rana Pratap (Sai Kumar) surprisingly takes a backseat, and the protagonist is in a rush to seek out the reality about twin crimes. When the cat is ultimately out of the bag, the aftertaste is considerably underwhelming. Towards the top, there may be desperation to confuse the viewers.

Allari Naresh’s movie has an fascinating premise and all of the substances important for a good thriller, however there isn’t any conviction in storytelling. The writing is free, and the execution imprecise. The love story pans out like a mathematical equation, a formulation of types. The conversations are random, and the actors look too detached to care.

The supposed genre-bender handles its tonal shifts poorly, banking solely on the shock worth of a twist over high quality storytelling. It struggles to construct the little items that make up the entire. While it restlessly strikes from one subplot to the opposite, it forgets to inform the audiences why these characters or their relationships are worthy of their time.

Despite the flurry of plot turns, it takes at the least an hour for the movie to get up from its slumber. It is difficult to elucidate why the makers needed to be so laidback concerning the screenplay. It takes just a few sensible enhancing decisions, because the story goes forwards and backwards throughout timelines, to create some nervousness and construct pressure into the movie — a lifeline of any thriller.

Numerous time is wasted on foolish formalities such because the quintessential intro quantity, a love monitor explaining why the lady impresses the man, and a compulsory pathos music publish a tragedy. The presence of an skilled actor like Sai Kumar throughout the investigation exhibits what the movie has been lacking all alongside — an assured performer who can steer the narrative and never merely refill the frames.

With Sai Kumar’s character too, the movie makes the error of proscribing the cop as a passive determine. The thriller factor within the climax is revealed in a rush; a deluge of knowledge is dumped on the viewer without delay. Certain components within the movie and the general narrative fashion barely echo the vibe of the two-film Polimera sequence, helmed by the movie’s showrunner, Anil Viswanath.

Allari Naresh’s character lacks consistency, shifting between goofy, susceptible, and street-smart. Kamakshi Bhaskarla is efficient, although her position lacks company. Abhirami places up a spirited present in her prolonged cameo, whereas Sai Kumar holds the fort nicely. Jeevan Reddy shines in a repetitive but meaty half. Madhumani, Anish Kuruvilla, Viva Harsha, Getup Srinu and others go muster.

The usually formidable Bheems Ceciroleo’s songs largely function speed-breakers, even in a two-hour movie, whereas the background rating does the heavy lifting in some parts. The cinematographer’s gaze is problematic in a handful of scenes — the one which significantly stands out like a sore thumb is the feminine lead’s establishing shot, specializing in her thighs.

12A Railway Colony has a number of promising concepts, however the execution is just too erratic to make an impression.

Published – November 21, 2025 04:55 pm IST

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