Eko film assessment: A strong thriller thriller by which animals play as huge an element as people

A poster of ‘Eko’. | Photo Credit: SPECIAL ARRANGEMENT

Pared right down to its naked bones, Dinjith Ayyathan’sEko is a narrative of the seek for a lacking man, a vibrant character about whom infinite chronicles and conflicting accounts are in circulation. To chunk into these naked bones just isn’t actually the purpose. It is to savour the entire act of reaching it and revelling in that pleasure. Just like by way of a dense, misleading forest with uncharted territory at each flip, the viewer is slowly drawn into this world the place not a single character will be absolutely trusted.

Eko’s beating coronary heart is the shapeshifter of a screenplay, by which the playing cards are revealed one after the other at what seems to be cleverly timed intervals. The movie spans time durations and geographies, from the World War 2 period to the interval of migration of Malayalis to international locations like Malaysia and Singapore, to a newer previous. Its world is one in every of canine breeders who would go to any lengths to develop unique breeds, and of outdated and resilient people like Mlaathi (Biana Momin), in addition to trusted helpers resembling Peyoos (Sandeep Pradeep).

Eko (Malayalam)

Director: Dinjith Ayyathan

Cast: Sandeep Pradeep, Biana Momin, Vineeth, Narain, Binu Pappu, Saheer Mohammed

Runtime: 127 minutes

Storyline: The seek for a mysterious canine breeder, who has been lacking for years, results in sudden revelations.

In Kishkindha Kaandam, the primary a part of the ‘animal trilogy’ written by Bahul Ramesh, the monkeys have been considerably peripheral to the narrative. However, in Eko, simply as in Kerala Crime Files 2, the uncommon breed of canine could be very a lot integral to the narrative, even driving it at varied factors. The human and animal interactions, in addition to the theories the film presents on the ability and management that people can wield over a pack of animals, would possibly want some suspension of disbelief in regular circumstances. However, the writing and the visible cues the makers make use of are enough to persuade these as real-world prospects. In this period of nice screenwriting in Malayalam cinema, Bahul’s works until now have been superlative.

Once we’re on the hunt for Kuriachan, the film cleverly drives our consideration by way of varied seemingly unconnected strands and characters, however which all slowly disclose to be a bit with one another. It continually makes us query the characters’ intentions, whereas additionally upsetting our calculations. While it would lack the emotional pull of a Kishkindha Kaandam, which had a bruising human story at its core, Eko makes up for it with a wealthy, layered screenplay by which the animals and their behaviour too matter. The jungle terrain and the 2 remoted homes by which a lot of the story evolves assist construct the thriller. Added to those are the myths of the lacking man, which convey a revulsion blended with respect for his many unusual skills.

ALSO READ: Cinematographer-writer Bahul Ramesh on scripting the second season of the online sequence, ‘Kerala Crime Files’

Much of the technical crew from that movie returns for Eko, with Mujeeb Majeed’s beautiful rating and Sooraj E.S. ‘s modifying taking part in as a lot an element because the screenplay in turning it right into a healthful expertise. With Eko, Dinjith Ayyathan and Bahul Ramesh craft a strong thriller thriller, by which the animals have nearly as a lot position to play because the people.

Eko is at present working in theatres

Published – November 21, 2025 06:06 pm IST

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