The transition from cosmopolitan metropolis dweller to seeker of solace within the countryside, didn’t occur in a single day however has been an journey of kinds in addition to the inspiration for her work.
Asma says when she re-located to Tiruvannamalai on a whim, constructing her home-studio on a parcel of land that was extra of an afterthought than an funding, the enjoyment of discovering her environment fed her creativity.
“I might hop on my scooter and set off on certainly one of my ‘Get Lost’ journeys coming throughout small temples, discovering out about hero stones (memorial stones) and a megalith relationship again to 1,500BCE, and having fun with the fantastic thing about a sundown,” says Asma, including that these street journeys gave her an introduction to many quaint rites and rituals practised in these areas.
Asma Menon | Photo Credit: Special Arrangement
“I dwell in a little bit forest space the place solely 5 homes have been constructed. It is stuffed with bushes, birds, and the occasional snake that decides to come back out. It’s a magical place.”
Small surprise then, that Sacred Spaces is an try to seize the ethereal Asma sees in her on a regular basis. Using acrylics for essentially the most half, in addition to oil pastels and watercolour pencils, her works depict rural scenes in vivid hues and geometric patterns. There are woods and water lilies, temple grottoes and swathes of sky and earth, however nearly all the time, one can see Arunachala.
“This place is likely one of the oldest districts of Tamil Nadu endowed with numerous vibrations and energy that steadily seeps into you. Epiphany occurs in a city like this and also you open your self to it with out query.”
She recollects how throughout certainly one of her journeys she got here throughout a pit stuffed with terracotta canine; nobody appears to understand how they received there or what goal they serve. “When it rains, a number of of them get worn out, however there are nonetheless round 10 to 12 canine in that house of 400square toes. Further away there’s a place full of little terracotta cows the place individuals come to supply prayers when their cows are pregnant. It is wonderful what one can see right here.”
Prequel to a dream
Before she headed out to “Tiru” as she affectionately calls her place of residence, Asma was metropolis born and bred, spending her childhood years in Bengaluru. “I started artwork lessons once I was within the third grade or fourth grade, first with Ram Murthy after which with Balan Nambiar who admitted me into his grownup lessons,” says Asma, including that she debuted at certainly one of Balan’s reveals.
A piece from Asma Menon’s collection Sacred Spaces in a Path of Awakening | Photo Credit: Special Arrangement
After finishing her diploma in Visual Communications, Asma went on to efficiently work at promoting companies and the manufacturing division of a newspaper in Chennai, Mumbai and Hyderabad. Art seemingly light into the background till she had the possibility as an instance two youngsters’s books. “It was sheer luck that I received the job, and I loved going again to drawing,” she says, including that as extra tasks got here her manner, she determined to give up company life and embrace artwork full time.
“I turned concerned in printmaking and portray at house. I additionally began youngsters’s artwork workshops and finally received again into the circuit,” she says, including that the runaway success of her first solo present in 1994, satisfied her she was heading in the right direction.
Today, in her spartan house at Tiruvannamalai, Asma says she continues to be journeying into sacred territory. “I discover myself awakening to a complete new panorama that impacts me. It rumbles in my soul. It took years earlier than I might render something on paper or canvas, as a result of it took me that lengthy to fathom the enormity of all of it. Sometimes if you find yourself on the crossroads and are uncertain of what route to take, you simply make the leap.”
Sacred Spaces in a Path of Awakeningby Asma Menon is on show at MKF Museum of Art until July 31, 2025. Entry free, Mondays closed.
A piece from Asma Menon’s collection Sacred Spaces in a Path of Awakening | Photo Credit: Special Arrangement
A piece from Asma Menon’s collection Sacred Spaces in a Path of Awakening | Photo Credit: Special Arrangement
A younger Asma Menon with Balan Nambiar in 1973 throughout his exhibition at Grindlays Bank, Unity Building. Also seen are dancer-couple US Krishna Rao and Chandrabhaga Devi with their grandchild. | Photo Credit: Special Arrangement








