Valavaara movie review: Sutan Gowdas debut feels like a warm hug

Moments before the intermission of Valavaara (meaning favouritism), the movie’s lead character, Kundesi (Vedic Kaushal), lets out a huge cry of desperation. The scene is a testament to debutant director Sutan Gowda’s control over the craft, as he ensures we are as anxious and stressed about the film’s central plot point as the little boy, Kundesi. We then see a subtle yet “mass” interval bang, as Kundesi breaks the fourth wall with a smile.

Just like the scene, Valavaara maintains a nice balance of tension and hope throughout its nearly two-hour runtime. Kundesi’s trouble arises when his cow goes missing. Without the cow, he can’t think of going back to his house to face his father, whom he hates and fears in equal measure.

Kundesi often wonders why his father (Malathesh HV) is disgusted with him. The little one’s disappointment grows manifold when he sees his father showering his younger brother, Kosudi, with unconditional love. Kundesi’s biggest respite is his mother, who means the world to him. The bonding reimagines Kannada cinema’s familiar trope of mother sentiment with several poignant moments.

One of the film’s strong suits is the comedy; the humour is drawn from hilarious situations and funny dialogue, mostly involving a carefree, aimless youngster, Yadhu (a charming Abhay), who often secretly meets his girlfriend to make love. Yadhu’s arc blends nicely with Kundesi’s pursuit of getting back the cow.

A heart-warming film, Valavaara reminds viewers how the Kannada big screen had missed the feeling of tenderness. The slow-growing friendship between Yadhu and Kundesi is fleshed out beautifully. The writing triumphs, as despite tonal shifts, we are never detached from the proceedings. Every plot point leads to Kundesi’s search for his cow, and every time he messes up, we sigh in disappointment.

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Director Sutan Gowda’s economical storytelling ensures the film isn’t pulled down by melodrama. Valavaara has the spirit of a show-burner, but it never forgets to entertain and engage. The captivating cinematography by Balaraja Gowda and Manikanth Kadri’s moving score elevate the movie.

Some dialogues sound philosophical. The film also slightly overstays its welcome. These are minor shortcomings that can be easily ignored, for Valavaara has several moments that shine thanks to the commendable performances of the lead cast.This is a film that feels like a warm hug.

Valavaara is running in theatres