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When Madame Web crashed and burned, the finger-pointing adopted naturally. Now Dakota Johnson is making it clear: don’t have a look at her!
Dakota Johnson in Madame Web
In a latest interview, Johnson addressed the elephant within the room with amusing, saying bluntly: “It wasn’t my fault.” That line alone has sparked a media frenzy, because the actor shifts the blame from herself to the broader business dynamics that she believes doomed Madame Web from the beginning.
“There’s this thing that happens now where a lot of creative decisions are made by committee,” she mentioned. “Or made by people who don’t have a creative bone in their body. And it’s really hard to make art that way. Or to make something entertaining that way. And I think unfortunately with Madame Web, it started out as something and turned into something else. And I was just sort of along for the ride at that point. But that happens. Bigger-budget movies fail all the time.”
About the film
In Madame Web, Johnson starred as Cassandra Webb, a New York City paramedic who discovers she will see the longer term and should defend three teenage women — future Spider-Women — from a villainous Ezekiel Sims. Despite a promising premise and a solid that included breakout names, the movie bombed each critically and commercially. It went on to gather a trio of Golden Raspberry (Razzie) Awards in early 2025, together with Worst Picture, Worst Screenplay, and Worst Actress for Johnson herself — a trifecta no actor desires of.
And but, Johnson appears unfazed as she dismissed the backlash with a shrug: “I don’t have a Band-Aid over it,” she mentioned. “There’s no part of me that’s like, ‘Oh, I’ll never do that again’ to anything. I’ve done even tiny movies that didn’t do well. Who cares?”
That devil-may-care perspective might come off as refreshing honesty — or deflection, relying on who you ask. Critics have famous that Johnson, regardless of her well-known lineage because the daughter of Don Johnson and Melanie Griffith (and granddaughter of Tippi Hedren), has struggled to search out her footing post-Fifty Shades. Films like Persuasion (2022) and The Peanut Butter Falcon (2019) earned reward, however commercially, her report is patchy at finest. Naturally, now the stakes are excessive with The Materialists, a glitzy rom-com which may simply mark Johnson’s uncommon win in mainstream cinema.
