Bollywood actors Sidharth Malhotra and Janhvi Kapoor throughout a promotional occasion of their movie Param Sundari, in Jaipur, Tuesday, August 26, 2025. | Photo Credit: PTI
Param Sundari, directed by Tushar Jalota and starring Sidharth Malhotra and Janhvi Kapoor within the lead roles, ticks most of those bins, together with a model of Malayalam which most Malayalis couldn’t decipher even after a few listens. The knowledgeable linguists amongst them decoded Janhvi Kapoor’s self-introduction within the trailer as “Thekkapetta Sundari”, which colloquially means “deceived magnificence”. What the makers most likely supposed to convey was that Sundari belongs to “Thekkeppattil”, a home or household title.
It may sound like a minor slip up, however this and a flurry of different mispronounced Malayalam strains within the film level to a bigger drawback in Bollywood’s try at representing unfamiliar cultures under the Vindhyas. The actors are usually not actually responsible in these instances, however the makers of such big-budget cinematic ventures betray a refusal to do the naked minimal to grasp one other tradition that they’re making an attempt to painting on display screen. Not a lot spending can be required to herald somebody who understands the language to hear in and inform them whether or not the dialogues sound genuine or laughable. The irony is that Malayali actor Priya Prakash Varrier was used as an additional with no dialogues in one of many scenes within the movie.
Bollywood, similar to Hollywood, has been reluctant to decide on actors belonging to the ethnic background of the characters they’re supposedly portraying. But even when we ignore this concern, which is dictated by business concerns and box-office pull of the celebrities, one other obvious drawback persists. Evidently, there’s a lack of that little bit of additional effort to herald the much-needed rootedness and authenticity to the portrayals or the efficiency, which might do wonders to the movie.
Although it’s not strictly a Bollywood or Hindi movie, as a piece by a non-Malayali, one needn’t look additional than Payal Kapadia’s much-feted All We Imagine as Light for the way she successfully used authentic strains within the language with the assistance of a Malayali co-dialogue author. On the opposite hand, the workforce behind Param Sundari was busy issuing copyright strikes to take down on-line movies by Malayali influencers vital of its portrayal of the State and the language. Shreya Ghoshal has grow to be a family title within the South for her near-perfect renditions of songs in all of the languages, primarily by way of the exhausting work she does to grasp the correct diction and that means of every phrase she sings.
Although actresses from South India have discovered stardom in Bollywood, primarily by assimilating into the tradition up north, the movie business has typically leaned on worn-out stereotypes in its makes an attempt at representing the southern States. The intention in such makes an attempt is to not depict a State in all its superb variety, however to sew collectively essentially the most identifiable, and thus overused, traits to make one thing which might fetch box-office returns. The curiosity about one other tradition or the craving to check it to painting it convincingly is clearly not a precedence.
This sample has perpetuated itself over the many years. While the exaggerated portrayals within the preliminary years might be forgiven as disparate individuals of an enormous nation making an attempt to find and perceive one another, the caricaturish method seen within the post-Internet many years, be it of Tamilians in Chennai Express and Two States or of Malayalis in Param Sundari, is unlucky. Though South Indian movie industries have additionally up to now resorted to caricatures of these up north, the movies in current many years are notable for perceptive portrayals of characters from different States.
Part of the anger towards Param Sundari in Kerala has to do with the truth that it got here shut on the heels of the National Award for The Kerala Story, a film many Malayalis view as an try and defame the State. Ahead of the movie’s launch two years in the past, varied organisations from Kerala had moved the Supreme Court calling for a ban. Though the Supreme Court and the Kerala High Court refused to remain the movie’s launch, the makers of the movie needed to take away its teaser after their declare about “32,000 ladies” from Kerala becoming a member of the IS was proved to be false. They additionally added a press release to the movie which stated that it was a piece of fiction, however the harm was accomplished.
Although Param Sundari is a innocent romantic comedy in comparison with that movie, it nonetheless makes one want for filmmakers to do higher. Its defenders argue that business motion pictures made for the sake of leisure needs to be taken evenly and spared from harsh criticism. Taking the purpose additional, additionally they declare that caricaturish illustration of different cultures is a part of the sport for such motion pictures, whereas correct illustration is required solely within the case of documentaries. Such uninformed, distant portrayals of different cultures are step one in the direction of othering them.
Art is supposed to construct bridges and produce individuals nearer, to not perpetuate misconceptions about one another and pull them additional aside. Cinema, even with all of its inherent business concerns, can be utilized extra responsibly and meaningfully. Rather than a distant, aerial view from which solely the coconut bushes might be seen, filmmakers ought to try for a extra full image, with their ft on the bottom.
Published – September 05, 2025 04:36 pm IST
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